Showing posts with label Marcel Duchamp. Show all posts
Showing posts with label Marcel Duchamp. Show all posts

Friday, January 31, 2020

Vernissages | NYC, January 2020

My picks from the first exhibitions of new decade are quite eclectic and ubiquitous, ranfrom the Lower East Side and Chelsea to Midtown and the Upper East. Sadly Francis Naumann Fine Art is closing the exhibition space: a rare presence of scholarship in the contemporary New York commercial art spaces.

"Depicting Duchamp" at Francis Naumann Fine Art


"Songs in the Dark" at Tanya Bonakdar Gallery

"Standing Rock Awakens the World" at Fort Gansvoort
"Samba in the Dark" at Anton Kern

"Dreamboat Dirtblock" at Miguel Abreu Gallert

Performance at Lehman Maupin in Chels

"Sounds Lasting and Leaving" at Luxembourg & Dayan

Images from "Master Drawings"

Wednesday, December 7, 2016

Exhibitions | NYC, November 2016


Below are snapshots of my pick from the November exhibition in different neighborhoods of New York, from Chelsea to the Upper East Side.

Mike Kelley "Memory Ware" at Hauser & Wirth

Iván Navarro "MuteParade" at PaulKasmin

-Duchamp's spirals from "Anémic Cinéma" on view at "Impasse Ronsin" exhibition at Paul Kasmin.

In Duchamp iconic film (1926) spiral shaped rotolreliefs optical devices were alternated to puns:
"Bains de gros thé pour grains de beauté sans trop de bengué." (BenGay was invented in France by Dr. Jules Bengué)
"L'enfant qui tète est un souffleur de chair chaude et n'aime pas le chou-fleur de serre-chaude."
"Si je te donne un sou, me donneras-tu une paire de ciseaux?"
"On demande des moustiques domestiques (demi-stock) pour la cure d'azote sur la côte d'azur."
"Inceste ou passion de famille, à coups trop tirés."
"Esquivons les ecchymoses des Esquimaux aux mots exquis."
"Avez-vous déjà mis la moëlle de l'épée dans le poêle de l'aimée?"
"Parmi nos articles de quincaillerie paresseuse, nous recommandons le robinet qui s'arrête de couler quand on ne l'écoute pas."
"L'aspirant habite Javel et moi j'avais l'habite en spirale."

"Impasse Ronsin" exhibition at Paul Kasmin

Rotko "Dark Palette" at Pace Gallery

Josef Albers "Grey Steps, Grey Scales, Grey Ladders" at David Zwirner


Dan Flavin's fluorescent light installation (1996) at Hauser & Zwirth new location
former Dia Foundation building ,548 West 22 street

Chelsea Tower, view from West 23 Street

Monday, October 13, 2014

camminando | Jeff Koons Retrospective: The Art of Banality (and Making Money with Banality)


Jeff Koons is definitely one of the greatest geniuses in one of the talents the majority of us artists are devoid of: making money with art. The name itself of his one of his sculpture series "banalities" well render the content of his art.

Koons is not the first in the art world to use everyday objects and commodities as artwork. Andy Warhol himself gained fame and money from similar gestures, drawing art content from celebrities photos, everyday consumption objects. And there are even much earlier examples with dadaists or Marcel Duchamp "Readymades" which include common objects such as urinals or bicycle wheels.
Koons also shares with the Warhol's "Factory" the production of the "artwork" by others: it is a practice in a certain way opposite  making the art object mass production.
Nevertheless I enjoyed strolling through this larger than life retrospective at the Whitney Museum (closing this week), a playful and engaging example of how art can be made of everyday life objects.


The other Jeff Koons extravaganza was "Split-Rocker" at the Rockefeller Center, the 37-foot tall planted "puppies" which was on view until September 18.