Showing posts with label Marlborough Gallery. Show all posts
Showing posts with label Marlborough Gallery. Show all posts

Sunday, January 7, 2018

vernissages | NYC: Heavy Metal in Chelsea

The most noticeable event inaugurating the 2018 New York art season is the Survival Research Laboratory (SRL) exhibition/performance, which opened on January 6 at Marlborough Contemporary in Chelsea. The exhibition, titled "Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature" includes eight kinetic sculptures spanning from 1986 to the present, as well as with video documentation of past performances enacted by these sculptures. Visitors are requested to sign a bold disclaimer releasing SRL from liability for injuries and loss of property during the perfomance. An intense smell of gasoline and burned material pervades the "white box" of the gallery space.
    SRL was founded in in the late 1970's by Mark Pauline in the San Francisco Bay Area; for four decades SRL has been presenting robots made of heavy metal scavenged from factories or waste, in an apocalyptic dystopian aesthetics. Often dead animal are incorporated in the compositions. The performances consist in the moving machines and humans roles are limited to operating the machines or viewing the events, which often include fire and explosions. Mark Pauline's hand became a fatality of one of these explosion in 1982. I read that the performing robots will be for sale.
     It was first time I was attending a SRL performance and found the event disturbing but not engaging. As a survivor of bullying I have always resorted to art as a copying strategy to the damaging violence (even if not of physical nature) I have been subjected throughout my life. The harmony and the uncanny logic and mystery of sacred geometry have been a survival means creating peacefulness and beauty.

A few blocks way,  an exhibition of sculptures by Mark di Suvero opened at Paula Cooper Gallery. Another "heavy metal" exhibition but more engaging in terms of search for form and beauty. These sculpture are not kinetic, although the helicoidal shape seems to be suggestive of movement.

Wednesday, May 17, 2017

Vernissages | The Making of Parametricism: Santiago Calatrava at Marlborough Gallery


An exhibition of Santiago Calatrava sculptures (and drawings) opened yesterday at the Marlborough Gallery.
    As a scholar and maker of geometry I was intrigued in understanding the process behind the making of fairly similar sculptures. The recurrent helicoidal shapes seem to be generated by repetition and scaling of an initial module/parameter; several cycles and types of metals also created diversity in the sculptural artwork.

A different type of shape, derived from a minimal surface
The exhibition also included drawings by Calatrava


Wednesday, April 5, 2017

camminando | Evening in New York, April 5

C'est moi at Le Meridien Parker Hotel

View of the iconic Sony Tower, formerly AT&T, Building designed by Philip Johnson

Manolo Valdés: Graphics at Marlborough Gallery
Peter Sacks at Marlborough Gallery
Sunset in Central Park

Total walk: 6 miles

Saturday, September 10, 2016

vernissages | NYC September 8: Gesamtkunstwerk

Chelsea and Hudson river view from the rooftop of the Maxwell Davidson Gallery.
Thursday marked the opening of the Chelsea fall season; a multitude of gallery presented major art exhibitions. The gesamtkunstwerk is present in the immersive installations, where the whole gallery space is involved, sometimes expanding then artwork from the walls to the ceiling and floor. The boundaries between object and space, gallery as container and contained art as objects are blurred. The art viewer becomes a participant in even a multi-sensorial experience, sometimes involving the sense of taste, like in After Pasteur, where samples are offered at a fermented milk-bar.
Ian Davenport at Paul Kasmin Gallery
George Grosz: Politics and Its Influence at David Nolan
NENDO at Friedman Benda
Sarah Cain "Dark Matter" at Galerie Lelong
Victor Vasarely "Analog" at Maxwell-Davidson
Lars Fisk "Mr. Softie" at Marlborough Gallery
The stairway at Paxis International Gallery

The Gesamtkunstwerk is highly present at Lehman Maupin, where the twin brothers Gustavo and Otavio Pandolfo, known as OSGEMEOS. From the gallery statement the artists "transform multiple rooms into an immersive installation that combines drawing, painting, collage, mixed media sculpture, and kinetic and audio elements. These newest works represent an evolution of the style OSGEMEOS has honed over decades, while also returning to their early experimentation with diverse mediums, including new oil paintings. This exhibition will offer a heightened multi-sensory experience that embraces the power of human imagination and the vast possibilities in visually interpreting the subconscious." OSGEMEOS emerged in Brazil in the late 1980s as graffiti writers, influenced by  New York street art.
 
OSGEMEOS "Silence of the Music" at Lehman Maupin
Hamish Fulton "Walking Artist" exhibition is of a different nature, yet based on Gesamtkunstwerk. In Hamish Fulton's work, making art comes from experiential practice, walking—which is translated into objects displayed on the gallery walls. Such approach—ephemera from an experience becoming artwork—is almost opposite to the site specific installation, where a physical place is transformed into an experiential ephemeral environment.


Hamish Fulton "Walking Artist" at Josée Bienvenu Gallery

Sol LeWitt at Paula Cooper Gallery
Slav and Tatars "After Pasteur" at Tanya Bonakdar Gallery
Rashid Johnson at Hauser & Wirth