Exhibitions | In the Name of Geometry: "Frank Stella: a Retrospective" at the Whitney

The rigorously simple yet majestic volumes of the fifth floor of the Whitney have been transformed in a feast of forms and colors, where geometric explorations are the connecting thread of the multi-scale and multi-media works. It the retrospective of Frank Stella’s work spanning over six decades of work of the American artist (b. 1936), one of the greatest examples of contemporary geometric abstraction.
Both the two-dimensional and three-dimensional works are at the crossover between art and architecture; the scale of the paintings and sculpture is such that the artworks transcend the boundary of the object to enclose surrounding space.

 

Some of the iconic paintings, characterized by band of colors defining geometric primitives, span over twenty meters, transforming the space of the galleries in a built homage to color and geometry. The three-dimensional work also seems to aim to a transformation of space, transcending the boundary of geometry to become installation art. In his sculptural work Stella  artist uses a diverse set of material, often found in industrial construction: fiberglass, bent metal sheets, steel tubing, perforated metal; more recently the often rough materials are combined with highly detailed 3D printed smaller components.

 

     The regular geometry of the painting evolves into the irregular forms of the three-dimensional works—yet driven by geometric foundation. Regular geometries reappear in the most recent three-dimensional work: Plato solids and Kepler polyhedra are source of inspiration for the 2014 large scale outdoor sculptures: Wooden Star 1  (570 x 570 x 570 cm) and the carbon fiber Black Star (520 x 520 x520 cm). Quite ironically the artist's last name "Stella" is the Italian word for "star".

     Missing from the exhibition is a “personal touch”: the process behind the works could have been included to define a fluid continuity between the final production and the creative impulse behind mediated by the many diverse media used by the artists, from physical actions to digital design and fabrication, in the fluid encounter between forms and materials.
    Yet the exhibition is so powerful and engrossing, a pure joy of colors and forms, which perhaps leaves the visitors with curiosity about the beauty of geometry.

 

making & moving | December 4, Installing a 'Movement Infrastructure' in Burwood

My fourth 'movement infrastructure' based on the icosahedron, has been installed in one of the Deakin University dance studios, in the Burwood campus. A few facts:

• The icosahedron is inscribed in a circumsphere with radius of 142 cm. 
• The 30 edges are grouped in three symmetric systems, each comprising 10 edges of the same material. 
• Three different materials are used for the edges to differentiate the anatomical planes: black PVC, chrome plated metal, oak. Each of the edges is a road with a diameter measuring 16mm.
• Each of the twelve connector is 3D printed by the Makerbot Replicator 2X, using ABS plastics of three different colors.
• The icosahedron assembling required about about 1.5 hours, not including the parts procurement and 3D printing.

After assembling the icosahedron I performed several movement explorations based on the octahedron whose edges coincide with the midpoint of the icosahedron defining the shorter edge of the golden rectangles. I also performed the yoga inspired sequence "Finding the Axis Mundi".

 

Design | 3D Printed Wearable Art

Some images of my 3D printed wearable art, from 2011-12, which was not included in the 3D Print Design Show. To view more visit worldmaking