Showing posts with label Irene Sperber. Show all posts
Showing posts with label Irene Sperber. Show all posts

Tuesday, September 20, 2011

Event MIAMI | Wynwood Gallery Walk


NOW Contemporary Art Gallery
Long-Bin Chen's Bookface at NOW Contemporary Art
Gallery Walks are a fact of modern life; Miami has a plethora of scheduled nights throughout a variety of artist enclaves.
Nick Gentry's paint on floppy discs at Robert Fontaine Gallery
Wynwood is an old area that has, in the past 10+ years, risen from a lonely warehouse section of Miami, to housing a vibrant and eclectic art environment. Today, it still can vacillate wildly from streets lonely with tumble weeds (speaking metaphorically, of course) to a vital neighborhood pulsating with life on Gallery night.
Michel Bickford's Intergalactic World's Fair Portal at Harold Golen Gallery
Every few months I check in with Wynwood’s offerings on second Saturday eve. Apparently “people” are back in town from their summers in the Berkshires/Hamptons/Maine, as it was a jam-packed street “mise en scene”.
Galleries are already ramping up the volume on exhibitions in prep for Fall blending into Art Basel season. During Art Basels December onslaught, Wynwood is awash with pop-up galleries in empty warehouses along with satellite fairs erected in large tents or any available space.
Dozens of gourmet food trucks gather in an empty Wynwood lot on Gallery Night
Many of Miami’s voracious collectors house their collections in warehouses open to the public year ‘round: Rubell and Margulies, plus the de la Cruz Collection just to the north in the Design District. Bernice Steinbaum from NY’s SoHo district was the first to build a stylish gallery in Wynwood at the turn of the century (this one), along with gutsy pioneer Brook Dorsch, who took over a lamp factory and crack house in a tiny, unloved back street for his Dorsch Gallery. Dorsch and Steinbaum both have sites front and center in the action, where once there was darkened streets of potholes and questionable characters. You may still find a selection of both, truth be known.
Miguel Parades, Urban Realist
The Wynwood Second Saturday takes place monthly from 7:00 p.m. to 10:00 p.m. North Miami Avenue to I95 and runs from 10th to 36th Street.
Martin Carbajal's BLACK BONE series tells short stories at Waltman|Ortega Fine Art
Miguel Paredes fine Art Gallery
..and the people pepper galleries with personal visual "art"

Tuesday, September 13, 2011

Event MIAMI | Miami Book Fair International


Hongxing Ye, artist with her 2011 Book Fair poster


The largest consumer book fair in the U.S. will be rolling into downtown Miami in November for a stimulating eight days of lectures, talks, workshops and readings along with a street fair piled high with book vendors. The 2011 28th annual fair is themed with the traditions and literature of China. Over 400 writers will grace the Miami Dade College area, reflecting Miami’s varied population with the IberoAmerican Authors Program, the Caribbean and Haitian community will be highlighting featured writers; children’s authors are represented at the fair; kids of all ages will benefit from the Comix Galaxy. There is nothing more exciting than to meander through days of thoughtful minds, careening from Pulitzer Prize winners, Nobel Laureates and a generous sprinkling of up and coming local and International authors.

Consider membership in Friends of the Book Fair to take full advantage of every morsel of literary activity. (see website below)

November 13-20, 2011

Miami Dade College’s (MDC) Wolfson Campus,


Miami Book Fair info and membership details:

http://www.miamibookfair.com/membership/friends/


Florida Center for the Literary Arts:

http://www.flcenterlitarts.com/



Wednesday, August 31, 2011

camminando | SAN FRANCISCO and California Cool

Seaweed soaked shoreline, Golden Gate National Recreation Area

I recently traded in the humidity that blankets Miami (my home town) during these endless months of deep summer, for the cool morning fog of Marin County, CA and surrounds. It was a delightful respite of differing culinary finds, temperature, nature and design. While I bathed safely in the refreshing air of the mountainous region, the Northeast suffered a quake and a hurricane, thoughtlessly named after me. I marveled at my sudden ability to dodge both quakes and hurricanes as I leapt from Miami's stormy season and avoided the watery onslaught of Irene's wrath.

Tennessee Valley Trailhead,
Golden Gate National Recreation Area/Marin Headlands,
A lovely 3.1 mile hike down to the sea

A patchwork quilt of architectural design in the streets of San Francisco on a shockingly fog-free day

The entrance gate to Chinatown in San Francisco’s Grant Street
was a gift from the Republic of China in 1969. It is on the oldest street in San Francisco.


Columbus Avenue and Grant Street:
This mural commemorates the history of North Beach's Italian settlers,
while the other side features Chinatown and some of San Francisco's early history.

The streetcar system has served San Francisco since the late 19th century. Most streetcar lines in other cities, including San Francisco, were converted to buses after World War II. Five lines survived until the 1970s, when the streetcar lines were converted to light rail during the opening of the Market Syreet Subway in 1980.

Hotel Triton in San Francisco

Outside the Mill Valley Library on a Sunday afternoon….
The Merry Widow performed amongst the Redwoods.



The Redwoods,
A poem by Joseph B. Strauss

Here, sown by the Creator's hand.
In serried ranks, the Redwoods stand:
No other clime is honored so,
No other lands their glory know.

Tuesday, August 16, 2011

fitness | Roya Siroospour: an interview




After dragging, bouncing, hopping, lifting, bending, jumping and bopping my way through several states and three countries worth of gyms and myriad exercise classes, I am pretty clear on what circumstances make me want to work hard, and which conditions catapult me into threatening to bag the whole fitness thing and reconsider purchasing a muumuu and lifetime supply of crunchy cheesy snacks to enjoy on my new sofa. To maintain a certain level of physicality takes ramping up at various intervals in ones progress through time and space.


My "gym du jour" possesses an Instructor who manages to get me cranked up into struggling through routines that leave even the "big boys" with bulging eyeballs. The fact that there are males at all present in a fitness classroom is an anomaly; grunting through a set of rusty metal weight-lifting sets in front of other males and a smattering of nubile females is a more accepted behavior in the masculine tribe ritual. Taking direction "from a girl" is not in the Male Behavior Manual last time I looked.


Over the past several years I have been happily following a certain instructor; Roya is a bundle of kinetic energy and unending good will towards the sloth-like behavior of the average class attendee. Recently I began questioning why Roya, specifically, makes me want to work that hard; which in turn leaves me with a great sense of accomplishment and contentment. I have never been hurt by her class but have often ached with deep and prolonged muscle-usage, which, by the way, I consider a good thing.


To overcome perceived physical short-comings, which all too often are self imposed in origin, is proof that if you can push through the physical barriers, it is a short mental / emotional hop to a realization that one can override other difficulties .


I asked Roya what part of her motivational aspects were unscripted and which were purposefully calculated to control the energy in the room. I wanted her take on how this body-mind thing worked from her front-row seat.


How she gets the energy in the room rolling?


Roya: "When I come into the (exercise) room, I shut down all processes. I grew up a performer, so I know how to turn it on."


No matter what is going on in her life, physically or mentally, she makes it a point to put that aside and re-formulate the mood before entering her classroom.


" It is important to take control of the room. Who is in there also adds to the energy. There is an energy field and it has to be in a certain spot or I have to work harder to bring it up."


Roya needs the front row to be responsive and create the dynamism which will ripple into the receding rows and create a vibrance everyone feeds from and returns back to the group. If the right situation is not in place, Roya will have to work harder to bring it up. Occasionally she will feel logy energy in a class, leaving her drained from working without the aid of reciprocal exuberance. A group can merely take vitality and not give in return, or conversely share their joy and vigor. It becomes a spiraling eddy of "group think", much in the way a car can be sucked up in the "draft" of a large semi truck on the road.


"It's as if we're all rowing and someone's sipping a cocktail. I am consciously cranking up the energy" Roya explains.


In any social group, you can tell who is providing the "juice", the lower energy people plug into the other like an EV battery from a new electric car.

Roya: "I was always super energetic and loved big groups."

When she first moved to a Miami gym from Colorado she was concerned that no one would be interested in what she offered. It did not take long for her classes to fill to capacity. I was there......it happened quickly. The draw is that "super energy" that creates others to want that degree of explosive pizazz. At first I didn't think much about it, but now find myself ruminating as to what, exactly, produces the magnetic force.


Gunning is a relatively new piece of exercise equipment in our gym which resembles a spinning cycle, but using the upper body, your hands on "pedals". Gunning on the KrankCycle was created by the same person who brought us the wildly popular "Spinning", John G. Krank. Adding a personal heart monitor linked to a screen above the class area, allows each participant to track and regulate his own heartbeat. The heart monitor is attached to each class member's torso and flashed onto the screen, allowing the student to note how his body is responding. The student adjusts his energetic output to stay within various zones prescribed by the instructor as the class progresses.


Roya can see how the mind and body are disconnected in some individuals when they first enter the Gunning arena. She notes, " It can be very hard to get people into Gunning because they are so detached; it can be as simple as too much caffeine and too little hydration."


Music is an integral part of the feel good dynamic. Roya's choices? "If it works for me, it works for everyone. I move better when there's music; it makes my body move....it's part of my soul. If you can follow a rhythm, every part of your body will start to move; musical beats are cyclical, like your heartbeat or breathing. With Spinning (a repetitive movement ) you begin to feel trance-like and focus on the beat."

Yoga is about becoming one with your breath. Roya is taking this same yogi thought and bringing music into creating the "one-ness" quotient: music, the heart's rhythm and the breath become an intertwined beat. Fitness movements provide an environment to forego over-think mode allowing mind and body to meld completely into a cohesive whole; the body moving as one unit instead of a series of disparate parts threatening to to fly apart at any given moment.

I asked Roya about her experiences with one-on-one training; "I worked one woman hard for 2 months, but she never lost weight. Her background was fried food and cream, so I had to physically take her to the grocery store, walked her through, reading labels." The woman got it with that last ditch effort to educate, and lost 47 pounds. She began to make her own juices and recipes, excited by the new connection to her own destiny.


Roya has the added support of having a family on the same page with the mind-body connection; her father spent 30 years as a Yale-educated Surgeon, and is now an Holistic healer.

Roya always loved the gym, at 16 years old, the gym felt like home. She competed in gymnastics and rode horses. Today her schedule is exceptionally full of physical exercise. As well as a killer schedule at 3 Miami CRUNCH gyms, Roya manages to have plenty of energy to perform freestyle dancing. A prime example of positive energy breeding positive energy, which, happily she shares with her clients.


Roya Siroospour is Group Fitness Instructor And Personal Trainer

CRUNCH, Miami


An excerpt from the "in-progress" project MOVING MIND

by daniela bertol and irene sperber


Saturday, July 30, 2011

architecture | Miami Architecture Rises Again

Downtown Miami is enjoying a resurgence at long last. An over abundance of condos jammed in all at once pre-recession, threatened to drown Miami in yet another boom /bust rotation that this humidity-soaked environment is apparently famous for.

The plethora of sparkly new condos were rented out at reasonable rate awaiting the upswing which is now occurring. This sudden influx of new, young blood is kick-starting the previously unloved central location into a “whoosh” of new restaurants, shops and entertainment.

Surprisingly to many, original and interesting architecture is still front and center in this fairly young city. Miami was officially Incorporated in 1896 with a whopping population of 300. I took a stroll around recently, armed with camera, to record a soupčon of old Miami architectural design.
Alfred I. DuPont brass elevators

Alfred I. DuPont Building, completed in 1939, formerly a bank; it now holds court to special events after a series of historic renovations on it’s Depression Moderne style of architecture. Designed by the firm of Marsh and Saxelbye, the DuPont sports hand-painted cypress wood ceilings, detailed scroll work, and brass elevator doors bas relief adorned depicting native flora and fauna.


Olympia / Gusman ticket booth and marquee

Olympia Theater / Gusman Center for the Performing Arts lobby ceiling

Olympia Theater - This silent movie palace opened in 1926. The Moorish architecture, marvelous acoustics and ceiling simulating the night sky also achieved fame by becoming the first building in the South to be air-conditioned. Now known as Gusman Center for the Performing Arts, it transports the audience into experiencing old world charm in downtown Miami. It is one of the few “atmospheric” theaters designed by architect John Eberson still existing today.

Ingraham Building brass elevator logos

Another recently renovated 1926 structure, the Ingraham Building was designed by the architectural firm of Schultze & Weaver, designers of the famous Waldorf-Astoria in New York and the Biltmore Hotel in Los Angeles in the Chicago Style of Architecture.

Ingraham Building ceiling

Monday, July 18, 2011

performances | Elizabeth Streb - On the Fly

It’s hard to swing a new handbag without hitting an Elizabeth Streb performance on the streets of Manhattan this month……..and I mean that in the warmest and most supportive way. Choreographer Streb is daring, energetic, and goes way beyond the image conjured up as “dance’. Her performers fly through the air with the greatest of ease….. off high platforms and scaffolding in mind-bendingly athletic performances.

Along with this past weekend’s Battery Park event, “Human Fountain”, by the Streb dancers, the previous weekend found them in Gansevoort Plaza with their new work “Ascension”, commissioned by the Whitney Museum to highlight the museum’s new site being constructed nearby at the HighLine.
“Ascension” revolved around a 20 foot rotating ladder the nine performers ran up, down and catapulted off, in a perfect execution of the strength and skill of Streb’s troupe.

Streb, Inc tours throughout the U.S. and Internationally. Streb Lab for Action Mechanics resides in Williamsburg, Brooklyn.
Fearless leader, Elizabeth Streb, was awarded the MacArthur Foundation Genius Award in 1997. She is a tour de Force in action and mind.
Make a note on your latest techno-calendar to attend Streb’s Park Avenue Armory event, “Kiss the Air” in the Armory’s huge Drill Hall, December 14th – 22, 2011. For information and ticketing go to armoryonpark.org.
Two pertinent videos to watch:
ASCENSION and Elizabeth Streb discussing the performance.

Sunday, July 10, 2011

camminando NYC | Walking Through Williamburg, B’lyn, A View From Outside


Williamsburg gives the impression that it could spontaneously combust into a fit of creativity at any moment. Equally, there is a fear it could explode into a giant Duane Reade/CVS before our very eyes. The teen-age years of Williamsburg are upon us....it morphs between many personalities, moods and ages as one meanders amongst the blended neighborhoods. As a mere visitor of some regularity, I made a few impressions in an all-day walk-about recently.

Lured by the waterfront Saturday Food-a-thon dubbed, “”Smorgesburg”, I picked through 50 vendors of daring concoctions to find just the right combo to amuse my bouche. With mission accomplished I could proceed beyond the culinary arts:

Pierogi Gallery, 177 N. 9th Street,is tricky to locate as the doorway and signage is “subtle”, but worth traversing the block once or twice til spotted. This “early adopter” opened in Wiilamsburg in1994, taking it’s name from a dumpling common in the Eastern European community that has populated the area since WWII.

28 artist participate in the current exhibition SUBJECTIVE/OBJECTIVE (til July 28th).

(photo:Untitled, Dawn Clemets, sumi ink on paper. Foreground- Study for Bases of Fallen Idols, Jonathan Schipper, cast marble)

An addendum to Pierogi, The Boiler, 191 N. 14th St. Brooklyn is a former factory boiler room with 40 foot ceilings to accommodate larger installations and performance pieces. Pierogi enjoys a reputation of some gravitas in the NY’s art community.


Fitzgerald Jewelry, is a 10 year old gallery and jewelry school located in an old button factory near McCarren Park. Jewelry artists, both professional and student come to work and exhibit in Fitzgerald’s. Owners Michael Fitzgerald and his wife, Hiroyo are at the helm.

174 North 11th St,

(photo: Cecelia Sozzi,student & exhibitor; Michael Fitzgerald, and Gabriella Ortiz, assistant & student)


228 North 12th St, adjacent to McCarren Park.


Exuberant street art/architecure abound on Williamsburg streets.







Tuesday, July 5, 2011

camminando MIAMI | Pyrotechnics: a Nocturnal Art


Though I can view fireworks from afar over the waters of Biscayne Bay (and usually do) from my balcony on Miami's South Beach, I ventured a half hour walk with a friend to the beach this 4th of July . I laid flat out on the sand to view them literally raining down upon me, filling in my entire visual space as the the humid breeze enveloped the night. It was inspirationally exhilarating to be consumed by the vibrance and pure exuberance of the event. I was giddy with immersion and made a mental note to make a greater effort to be "in the moment". Wielding a new small Canon digital camera in lieu of my cumbersome SLR I experimented with "writing with light" as I moved the camera about with shutter open. It was fun and ponied up some interesting images, instead of the usual fare.



Invented in China during the Han Dynasty (approx. 200 B.C.) and used to scare away evil spirits,fireworks were originally for New Years Eve celebrations. Mainly made of gunpowder-filled bamboo shoots, they are still made in a similar manner, substituting stiff paper tubes for the bamboo. Disney began to use compressed air instead of gunpowder just a few years ago.




The first 4th of July celebration was 1777, to instill hope and patriotism in U.S. citizens still besieged by the Revolutionary War.

Gunpowder has also been used as a medium for artists: Cai Guo-Qiang from Fujian Provence, now living in New York, began using gunpowder as material after September 11th. His work was exhibited in the 2000 Whitney Biennial, 1999 Venice Biennale. I recall a loud but stunning exhibition at the Guggenheim, 2008. He sprinkles different grades of gunpowder on handmade Japanese rice paper, cutting the fuses in a specific manner to control the energy before lighting it in front of an audience, The end result is a “drawing” of ash residue on the paper.

Cai was director of visual and special effects for the opening and closing ceremonies of the Beijing Olympic Games