Showing posts with label Chelsea. Show all posts
Showing posts with label Chelsea. Show all posts

Sunday, January 7, 2018

vernissages | NYC: Heavy Metal in Chelsea

The most noticeable event inaugurating the 2018 New York art season is the Survival Research Laboratory (SRL) exhibition/performance, which opened on January 6 at Marlborough Contemporary in Chelsea. The exhibition, titled "Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature" includes eight kinetic sculptures spanning from 1986 to the present, as well as with video documentation of past performances enacted by these sculptures. Visitors are requested to sign a bold disclaimer releasing SRL from liability for injuries and loss of property during the perfomance. An intense smell of gasoline and burned material pervades the "white box" of the gallery space.
    SRL was founded in in the late 1970's by Mark Pauline in the San Francisco Bay Area; for four decades SRL has been presenting robots made of heavy metal scavenged from factories or waste, in an apocalyptic dystopian aesthetics. Often dead animal are incorporated in the compositions. The performances consist in the moving machines and humans roles are limited to operating the machines or viewing the events, which often include fire and explosions. Mark Pauline's hand became a fatality of one of these explosion in 1982. I read that the performing robots will be for sale.
     It was first time I was attending a SRL performance and found the event disturbing but not engaging. As a survivor of bullying I have always resorted to art as a copying strategy to the damaging violence (even if not of physical nature) I have been subjected throughout my life. The harmony and the uncanny logic and mystery of sacred geometry have been a survival means creating peacefulness and beauty.

A few blocks way,  an exhibition of sculptures by Mark di Suvero opened at Paula Cooper Gallery. Another "heavy metal" exhibition but more engaging in terms of search for form and beauty. These sculpture are not kinetic, although the helicoidal shape seems to be suggestive of movement.

Wednesday, September 13, 2017

Vernissages | "Arte Povera" in Chelsea, September 12 2017


A comprehensive overview of one most important movements of Italian twentieth-century art opened yesterday at Hauser & Wirth in Chelsea: ‘Arte Povera. Curated by Ingvild Goetz’. Coincident with the  50th anniversary of the movement, the exhibition presents 150 works from ‘i poveristi’, a group of Italian artists, spanning from the late 1950s to the 1990s, including Claudio Abate, Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Giorgio Colombo, Luciano Fabro, Jannis Kounellis, Mario Merz, Paolo Mussat Sartor, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini, and Gilberto Zorio.
     The term 'Arte Povera' (Poor Art) was introduced by the art critic Germano Celant in 1967, grouping works by different Italian artists, characterized by the use of common materials including dirt, rocks, rope, paper, neon—or simple ready-made, without the Duchamp emphasis. The 'poveristi' rejected the notion of a unified movement, such as 'minimalism' or 'conceptualism' although several works can be associated to such art discourses.

Wednesday, May 31, 2017

Exhibitions | May, NYC


Kehinde Wiley at Sean Kelly Gallery
"Paranormal" at Lisson Gallery

Cristina Camacho "Tracing the Out of Sight" at Praxis International

Leo Villareal at Pace Gallery

Judith Barry "Imagination, Dead Imagine" at Mary Boone



"Art on the Front Lines" at Ronald Feldman Gallery
"Live and Still Lives" at Howard Greenberg Gallery

Thursday, May 11, 2017

camminando | Walking Through Geometry, Stars and Moon


I walk to Chelsea. My main destination is Frank Stella's exhibition at Marianne Boesky Gallery. His sculptural work explores star polyhedra. Uncannily the word "Stella" in Italian means star.

Polyhedra and other geometry inspired sculptural forms at "Frank Stella"
 Another geometric encounter is the exhibition "Modulated Space" at Luhring Augustine of the Brazilian artist Lygia Clark (1920-1988). Lygia Clark was a founding member of the Neo-Concrete movement, whose work revolved about geometric abstraction, non-representational and mathematical art. Uncannily Lygia Clark's ouvre shares commonality with another Brazilian artist with the same first name, Lygia Pape, whose work is currently shown at a remarkable retrospective at the Met Breuer.

Two-dimensional and three-dimensional geometries at Lygia Clark "Modulated Space"

My visual memories of the day end with the full moon framed by buildings of 14th Street
Total walk length: 4 miles