Immersion is the first word which came to my mind while the elevator opened to the Marian Goodman Gallery, where the multi-channel film installations More Sweetly Play the Dance (2015) & Notes Toward a Model Opera
(2015) opened yesterday. The two installation are 2015 works by the South African artist William Kentridge (1955): More Sweetly Play the Dance was commissioned by the EYE Filmmuseum Amsterdam and the Lichtsicht- Projection Biennale,
in Bad Rothenfelde (Germany) and Notes Toward a Model Opera, was firtst shown at the Ullens Center for Contemporary Art in Beijing fin June 2015.
More Sweetly Play the Dance is defined by the gallery press release as "an eight-screen
danse macabre, reminding one of the medieval tradition which
summons diverse vestiges of humanity in a paradox of revelry
and mourning. Kentridge presents us with part carnival,
protest, and exodus: a 45 metre caravan traversing in a sphere around
us with figures in procession, a form the artist invoked in his 1999 Shadow
Procession."
The
three-screen film installation Notes Towards a Model Opera is part of series of works which according to by Kentridge “ respond unwittingly
to the despair at the end of utopian projects.”
Showing posts with label William Kentridge. Show all posts
Showing posts with label William Kentridge. Show all posts
Thursday, January 14, 2016
Friday, September 28, 2012
Book as Obect: NY Art Book Fair at MoMA PS1
In a time when publishing is dematerializing in electronic multimedia formats the annual NY Art Book Fair reaffirms the value of the book as an object and artwork. A few snapshot from the preview at the MoMA PS1 in Long Island City
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| Encountering William Kentridge in the staircases |
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| Sun Foot performance |
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| A tribute to Mike Kelley |
Friday, May 6, 2011
Vernissages NYC | Chelsea and Midtown, May 6
Thursday, February 25, 2010
Vernissages | NYC, William Kentridge at MoMA
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A survey of three decades of William Kentridge's work and opened yesterday at MoMA. The spectacular exhibition presented large scale multichannel film and video installations.
The South African artist works in a multitude of media including film, collage performance, books, prints and sculpture. His most recognizable work is animated films from charcoal drawings, which present socio-political themes ---totalitarianism, apartheid and colonialism--- in poetic and lyrical interpretations .
The exhibition included Journey to the Moon and maquettes of the Kentridge's production of the Mozart's opera Magic Flute.
Labels:
animated film,
moma,
William Kentridge
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