The
rigorously simple yet majestic volumes of the fifth floor of the
Whitney have been transformed in a feast of forms and colors, where
geometric explorations are the connecting thread of the multi-scale and
multi-media works. It the retrospective of Frank Stella’s work spanning
over six decades of work of the American artist (b. 1936), one of the
greatest examples of contemporary geometric abstraction.
Both the
two-dimensional and three-dimensional works are at the crossover between
art and architecture; the scale of the paintings and sculpture is such
that the artworks transcend the boundary of the object to enclose
surrounding space.
Some of the iconic paintings, characterized by
band of colors defining geometric primitives, span over twenty meters,
transforming the space of the galleries in a built homage to color and geometry.
The three-dimensional work also seems to aim to a transformation of
space, transcending the boundary of geometry to become installation art. In his sculptural work Stella artist uses a diverse set of material, often found in industrial construction: fiberglass, bent metal sheets, steel tubing, perforated metal; more recently the often rough materials are combined with highly detailed 3D printed smaller components.
The
regular geometry of the painting evolves into the irregular forms of the
three-dimensional works—yet driven by geometric foundation. Regular
geometries reappear in the most recent three-dimensional work: Plato
solids and Kepler polyhedra are source of inspiration for the 2014 large
scale outdoor sculptures: Wooden Star 1 (570 x 570 x 570 cm) and the carbon fiber Black Star (520 x 520 x520 cm). Quite ironically the artist's last name "Stella" is the Italian word for "star".
Missing
from the exhibition is a “personal touch”: the process behind the works
could have been included to define a fluid continuity between the final
production and the creative impulse behind mediated by the many diverse
media used by the artists, from physical actions to digital design and
fabrication, in the fluid encounter between forms and materials.
Yet
the exhibition is so powerful and engrossing, a pure joy of colors and
forms, which perhaps leaves the visitors with curiosity about the beauty
of geometry.
