I finally visited the biennial exhibition . As in the past 30 years media have merged in the last decade the boundary between art and life, private and public, has definitely been blurred, as witnessed by this year biennial. I found it generally uninspiring, re-presenting installation and performances already seen and often lacking the aesthetic qualities and depth of thought which should differentiate life from art.
With a few exception: the multichannel video installation of filmmaker Werner Hergoz stood in its lyrical beauty and profound meaning.
Dawn Kaspar, who has moved her studio to the Whitney museum as her Biennal presentation