More Sweetly Play the Dance is defined by the gallery press release as "an eight-screen danse macabre, reminding one of the medieval tradition which summons diverse vestiges of humanity in a paradox of revelry and mourning. Kentridge presents us with part carnival, protest, and exodus: a 45 metre caravan traversing in a sphere around us with figures in procession, a form the artist invoked in his 1999 Shadow Procession."
The three-screen film installation Notes Towards a Model Opera is part of series of works which according to by Kentridge “ respond unwittingly to the despair at the end of utopian projects.”
