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Anselm Kiefer opened his second solo show at the Galleria Lorcan O’Neill in Rome, Trastevere. Paintings are on display in the main gallery of via D'Orti d'Alimbert, while a sculpture and works on paper are installed in the gallery’s annex space in via della Lungara.
Quoting the gallery press release:
"Kiefer takes inspiration from sources ranging from Teutonic history, Norse mythology, and Judeo-Christian dogma to alchemy, cosmogony, and stellar astronomy. By using symbols and references from poetry and literature, he invokes humanity’s historical and spiritual past.
..........Themes of mortality, contrasted with humanity’s epic search for the secret of eternal life, are also important in Kiefer’s work. The tragic Greek mythological figure Leander and the Babylonian hero Gilgamesh figure prominently in Kiefer’s newest works on paper. Leander, who loses his life while swimming to meet his lover across the sea, stands in contrast to Gilgamesh, whose distressed reaction to his companion’s death takes the form of a quest for immortality.
Anselm Kiefer has made a new sculpture for the gallery’s annex space at the corner of via della Lungara. A celestial orb rests on the shoulders of the life-size sculptural figure, a new character in Kiefer’s group of “Women of Antiquity”. The orb, made of iron, contains gold and silver spheres that represent the sun and moon in orbit around planet Earth. Kiefer’s interest in women from ancient times highlights the remarkable strength, passion, power and dedication that females have brought to the realms of human knowledge, science and history. "
Galleria Lorcan O'Neill is located in via D'Orti D'Alimbert 1E and the exhibition will be open until September 20.
"axes" is the plural of the latin "axis"
I used “axes” instead of “axis” because "axes" is more appropriate for the plurality of the concept, beyond "antropocentric". The axis mundi is not a unique concept in my usage of the term: the axis mundis is the ritualization of the link between the perceiving self and the perceived universe, which makes a place sacred. It can be unique for each perceiving self at that time of that perception and ritualization. For instance the axis mundi for sun farm (my sacred place) is the center of East Spiral, which is marked with an orange buoy ---orange is the complementary color to the ideal blu of the water.
Mircea Eliade's The Sacred and the Profane deals extensively with axis mundi:
The cry of the Kwakiutl neophyte "I am the center of the world!" at once reveals one of the deepest meanings of sacred space. Where the break-through from plane to plane has been modified by a hierophany, there too an opening has been made, either upward (the divine world) or downward (the underworld, the world of the dead). The three cosmic levels ---earth, heaven, underworld--- have been put in communication. As we just saw this communication is sometimes expressed through the image of a universal pillar, axis mundi, which at once connects and supports heaven and earth...
Thursday, 16:00-18:30 | Bari, Lectio Magistralis
Jannis Kounellis “Scirocco”, Universita' degli Studi | Piazza Umberto I
Thursday, 19:00 | NYC, Panel Discussion
Intersections: Social Issues in Contemporary Art, Remember the Upstair Lounge, No Longer Empty | 447 West 16 Street